| 000 -LEADER |
|---|
| fixed length control field |
02310fam a22003494a 4500 |
| CONTROL NUMBER |
|---|
| control field |
2552223 |
| DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20160822161516.0 |
| FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
990621s2000 nyua b 001 0 eng |
| LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
99037650 |
| INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780801433757 |
| SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)41612514 |
| SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)ocm41612514 |
| SYSTEM CONTROL NUMBER |
|---|
| System control number |
(NNC)2552223 |
| CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
NNC |
| -- |
OrLoB-B |
| AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
TR183 |
| Item number |
.S29 1999 |
| DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
770.1 |
| Edition number |
21 |
| Item number |
Sa938 |
| MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Savedoff, Barbara E. |
| TITLE STATEMENT |
|---|
| Title |
Transforming images: how photography complicates the picture |
| Statement of responsibility, etc. |
Barbara E. Savedoff. |
| PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
Ithaca, NY : |
| Name of publisher, distributor, etc. |
Cornell University Press, |
| Date of publication, distribution, etc. |
2000. |
| PROJECTED PUBLICATION DATE |
|---|
| Projected publication date |
9909 |
| PHYSICAL DESCRIPTION |
|---|
| Extent |
xi, 233 p. : |
| Other physical details |
ill. ; |
| Dimensions |
21 cm. |
| TRADE PRICE |
|---|
| Price note |
14 |
| BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| FORMATTED CONTENTS NOTE |
|---|
| Title |
Introduction: The Familiar Made Strange -- |
| Miscellaneous information |
1. |
| Title |
Ambiguous Images -- |
| Miscellaneous information |
2. |
| Title |
Transformation in Photography -- |
| Miscellaneous information |
3. |
| Title |
Transformation in Film -- |
| Miscellaneous information |
4. |
| Title |
Photographic Reproduction -- |
| Miscellaneous information |
5. |
| Title |
Transforming Media: Painting, Photography, and Digital Imagery -- |
| -- |
Postscript: Past and Present. |
| SUMMARY, ETC. |
|---|
| Summary, etc. |
"Barbara E. Savedoff seeks to discern the distinctive character of photography as an art. Why, she asks, do similar images in paintings and photographs strike us differently? How is our reaction to a photograph of a painting unlike our response to the "real" painting?". |
| SUMMARY, ETC. |
|---|
| Summary, etc. |
"Savedoff convincingly demonstrates that photography's perceived realism, along with its unexpected ability to transform its subjects, gives this art form its enigmatic power. Featuring examples of the image-within-an-image, her book explores ambiguities of representation in paintings, in photographs, and in films such as Shall We Dance, Sabotage, and Buster Keaton's Sherlock Junior. |
| SUMMARY, ETC. |
|---|
| Summary, etc. |
The volume also addresses questions concerning altered photographs, photo-realist paintings, animated cartoons, and photographic reproductions." "A meditative closing chapter probes the effects of digital alteration on our understanding of images. Savedoff argues that as digital imagery becomes more common, our way of looking at photographs and gauging their impact is irrevocably changed."--BOOK JACKET. |
| SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Subject |
Photography |
| General subdivision |
Philosophy. |
| SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Subject |
Photography, Artistic |
| General subdivision |
Philosophy. |
| EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal name |
AUTH |
| Numeration |
TOC |
