Savedoff, Barbara E.
Transforming images: how photography complicates the picture Barbara E. Savedoff. - Ithaca, NY : Cornell University Press, 2000. - xi, 233 p. : ill. ; 21 cm.
Includes bibliographical references and index.
Introduction: The Familiar Made Strange -- Ambiguous Images -- Transformation in Photography -- Transformation in Film -- Photographic Reproduction -- Transforming Media: Painting, Photography, and Digital Imagery -- Postscript: Past and Present. 1. 2. 3. 4. 5.
"Barbara E. Savedoff seeks to discern the distinctive character of photography as an art. Why, she asks, do similar images in paintings and photographs strike us differently? How is our reaction to a photograph of a painting unlike our response to the "real" painting?". "Savedoff convincingly demonstrates that photography's perceived realism, along with its unexpected ability to transform its subjects, gives this art form its enigmatic power. Featuring examples of the image-within-an-image, her book explores ambiguities of representation in paintings, in photographs, and in films such as Shall We Dance, Sabotage, and Buster Keaton's Sherlock Junior. The volume also addresses questions concerning altered photographs, photo-realist paintings, animated cartoons, and photographic reproductions." "A meditative closing chapter probes the effects of digital alteration on our understanding of images. Savedoff argues that as digital imagery becomes more common, our way of looking at photographs and gauging their impact is irrevocably changed."--BOOK JACKET.
9780801433757
99037650
Photography--Philosophy.
Photography, Artistic--Philosophy.
TR183 / .S29 1999
770.1 / Sa938
Transforming images: how photography complicates the picture Barbara E. Savedoff. - Ithaca, NY : Cornell University Press, 2000. - xi, 233 p. : ill. ; 21 cm.
Includes bibliographical references and index.
Introduction: The Familiar Made Strange -- Ambiguous Images -- Transformation in Photography -- Transformation in Film -- Photographic Reproduction -- Transforming Media: Painting, Photography, and Digital Imagery -- Postscript: Past and Present. 1. 2. 3. 4. 5.
"Barbara E. Savedoff seeks to discern the distinctive character of photography as an art. Why, she asks, do similar images in paintings and photographs strike us differently? How is our reaction to a photograph of a painting unlike our response to the "real" painting?". "Savedoff convincingly demonstrates that photography's perceived realism, along with its unexpected ability to transform its subjects, gives this art form its enigmatic power. Featuring examples of the image-within-an-image, her book explores ambiguities of representation in paintings, in photographs, and in films such as Shall We Dance, Sabotage, and Buster Keaton's Sherlock Junior. The volume also addresses questions concerning altered photographs, photo-realist paintings, animated cartoons, and photographic reproductions." "A meditative closing chapter probes the effects of digital alteration on our understanding of images. Savedoff argues that as digital imagery becomes more common, our way of looking at photographs and gauging their impact is irrevocably changed."--BOOK JACKET.
9780801433757
99037650
Photography--Philosophy.
Photography, Artistic--Philosophy.
TR183 / .S29 1999
770.1 / Sa938