000 | 02310fam a22003494a 4500 | ||
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001 | 2552223 | ||
005 | 20160822161516.0 | ||
008 | 990621s2000 nyua b 001 0 eng | ||
010 | _a 99037650 | ||
020 | _a9780801433757 | ||
035 | _a(OCoLC)41612514 | ||
035 | _a(OCoLC)ocm41612514 | ||
035 | _a(NNC)2552223 | ||
040 |
_aDLC _cDLC _dNNC _dOrLoB-B |
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042 | _apcc | ||
050 | 0 | 0 |
_aTR183 _b.S29 1999 |
082 | 0 | 0 |
_a770.1 _221 _bSa938 |
100 | 1 | _aSavedoff, Barbara E. | |
245 | 1 | 0 |
_aTransforming images: how photography complicates the picture _cBarbara E. Savedoff. |
260 |
_aIthaca, NY : _bCornell University Press, _c2000. |
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263 | _a9909 | ||
300 |
_axi, 233 p. : _bill. ; _c21 cm. |
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365 | _e14 | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tIntroduction: The Familiar Made Strange -- _g1. _tAmbiguous Images -- _g2. _tTransformation in Photography -- _g3. _tTransformation in Film -- _g4. _tPhotographic Reproduction -- _g5. _tTransforming Media: Painting, Photography, and Digital Imagery -- _tPostscript: Past and Present. |
520 | 1 | _a"Barbara E. Savedoff seeks to discern the distinctive character of photography as an art. Why, she asks, do similar images in paintings and photographs strike us differently? How is our reaction to a photograph of a painting unlike our response to the "real" painting?". | |
520 | 8 | _a"Savedoff convincingly demonstrates that photography's perceived realism, along with its unexpected ability to transform its subjects, gives this art form its enigmatic power. Featuring examples of the image-within-an-image, her book explores ambiguities of representation in paintings, in photographs, and in films such as Shall We Dance, Sabotage, and Buster Keaton's Sherlock Junior. | |
520 | 8 | _aThe volume also addresses questions concerning altered photographs, photo-realist paintings, animated cartoons, and photographic reproductions." "A meditative closing chapter probes the effects of digital alteration on our understanding of images. Savedoff argues that as digital imagery becomes more common, our way of looking at photographs and gauging their impact is irrevocably changed."--BOOK JACKET. | |
650 | 0 |
_aPhotography _xPhilosophy. |
|
650 | 0 |
_aPhotography, Artistic _xPhilosophy. |
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900 |
_aAUTH _bTOC |
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999 |
_c26189 _d26189 |